Generally I would say no, but I’ve tried to make an exception with a new video project.
A recent onslaught of assignments highlighted the futility (yet again) of what amounts to grading the textbook. My brain started churning out cartoons about the ridiculous ways students attempt to skirt the requirement of having to answer in their own words. Jeff Foxworthy’s “You might be a redneck if…” came to mind, and my productivity screeched to a halt: “It might not be in your own words if…” (Does that make Jeff Foxworthy my muse?)
The point was to get students thinking about plagiarism without taking a “thou shalt not” approach. I plan to build additional resources, including a video and/or handout with tips on how to answer in one’s own words. I like to point out that the textbook is one way to say something, but not the only way, and not necessarily the best way. And it isn’t about some pedantic exercise in avoiding a specific set of words- it’s about turning words on a page into knowledge… and that doesn’t happen unless you think about what those words mean.
This project is shorter than my last project, which could make the difference between students watching it and not. Another difference is that it consists of text, music, and my own drawings… so no fifteen takes required to get a voice-over without stumbling or stuttering. The drawings were the fun part. While I have at some pont generated drawings and paintings that look like actual objects and people in the real world, doing so quickly and consistently is another matter. I came up with scribble people after searching for examples of line figures that others have drawn, and then doing my best to create something else. At one time I would have opted for stick figures, but after discovering Randall Munroe’s brilliant webcomic, xkcd… well, you wouldn’t try to out-drip Jackson Pollock, now would you?
In the process of making this video, I learned some things that might come in handy for anyone trying a similar project.
If you’ve made the slides, then you know way more about them than a first-time viewer will, so you’re probably not the best judge of how fast the slides should move along. What worked great was having someone else advance through the slides using the “Rehearse” mode under the “Slideshow” tab in PowerPoint. This records the duration over which each slide is viewed. Not only did I get an idea of how much time viewers might need, it became very clear which slides would benefit from a redesign. Set the intervals for transitions between slides, and run it with “Use Timings” selected. Then it is a simple matter of starting and ending a screen recording.
I am not musically astute. If you ask me about Country and Western music released between 1950 and 1969, or Tom Waits, or Leonard Cohen, I might be able to help you. Lyrics to “The Battle of New Orleans?” Got you covered. Otherwise, you’d best ask my husband, who has a much larger musical vocabulary, and likes to ask me “Who sings this?” when he knows full well I can’t answer. But I needed music, so what to do?
Where to get it
I learned that there is a lot of royalty-free music online, and a subset of that is free royalty-free music. There is the Free Music Archive, which, amongst other things, has recordings from Edison cylinders! How cool is that?! I also found Kevin MacLeod’s website, where he offers his music under a Creative Commons license. His music is searchable by genre as well as by “feel” (bright, bouncy, driving, mysterious, etc.). Each song comes with an excellent description, suitable for the musically challenged, which makes it clear what an appropriate context would be for that song.
How to use it
Odds are, your song and your video won’t be the same length. If the song is longer than your video, it is easy enough to fade out the volume at a convenient spot. If the song is shorter, it’s more difficult to maintain continuity. Some songs come with versions that are suitable for looping, or in versions of different lengths. You can buy a little extra time by delaying the start of the song slightly, and fading in the volume, and then fading out the volume at the end. You could perform audio surgery and create a Frankensong… but if amputating musical body parts and stitching them back together again isn’t for you, then throwing continuity out the window might be the better choice. I didn’t know any of these things when I started, and it took a lot of experimenting to get something I could live with. Hopefully villagers with pitchforks and torches won’t be a problem.